HOW TO EXTRICATE YOURSELF by Laura Theis
WINNER OF THE BRIAN DEMPSEY MEMORIAL PRIZE 2020, nominated for the Elgin Award 2021 (Science Fiction Poetry Association) and Oxford Poetry Book of the Month in January 2021
Available from the author lauratheis.weebly.com
WINNER OF THE BRIAN DEMPSEY MEMORIAL PRIZE 2020, nominated for the Elgin Award 2021 (Science Fiction Poetry Association) and Oxford Poetry Book of the Month in January 2021
Available from the author lauratheis.weebly.com
'Theis ...takes the reader by the hand to guide you into a world of monsters and insomnia, but it is a world she knows well. As ‘adaptation’ describes, she “was already expert at simmering in low-level dread / like black bath water.” It is possible to bear the worry and the uncertainty, tolerate the spiders of your hair, adopt the dragon, and live on the moon for a while. Poetry like this is there with us.' — The Oxford Poetry Book of the Month Archive
Laura Theis grew up in Germany, moved to the UK more than a decade ago, and writes poems, stories and songs in her second language. She has an MSt (Distinction) in Creative Writing from Keble College, Oxford. Her work has been published in the UK, Ireland, Belgium, Germany, Canada and the U.S.
An AM Heath Prize recipient, she has also won the Brian Dempsey Memorial Pamphlet Prize, the Hammond House International Literary Award for Poetry, and the 2020 Mogford Short Story Prize. She was runner-up for the Mslexia Flash Fiction Prize and a finalist in over twenty other international poetry and fiction competitions. Laura Theis's debut collection, 'how to extricate yourself', contains poems from Laura's winning entry to Dempsey & Windle's Brian Dempsey Memorial Competition 2020. Many of the poems in this pamphlet come from asking ‘what if…’, escaping into one’s imagination, into the realm of the fantastical. What would it be like to be a writer in residence on the moon? Or to wake up with hair made out of spiders? To move in with a dragon? Or accidentally raise a demon baby? The poems’ speakers and narrative voices try to make sense of their narrowing world and extricate themselves through pretending, self-deception and make-believe; spells and incarnations; disappearing and becoming somebody new.
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